Thursday, November 14, 2013

Collaboration - The "Wailers"

Spirituality and music were two crucial components of Bob Marley's life.  For him, the two were inseparable.  He believed that music was love, was God, was power.  Here, his Rastafarian mentor, Mortimer Planno explains that for Marley, music was something transcendent...


The Rastafari movement has spread throughout much of the world, largely through immigration and interest generated by Nyahbinghi and reggae music—most notably, that of Bob Marley, who was baptised Berhane Selassie (Light of the Trinity) by the Ethiopian Orthodox Church before his death, a step also taken later by his widow Rita. By 2000, there were more than one million Rastafari worldwide. About five to ten percent of Jamaicans identify themselves as Rastafari. Most Rastafarians are vegetarian, or only eat limited types of meat, living by the dietary Laws of Leviticus and Deuteronomy in the Old Testament.

                         q=rasta+beliefs&FORM=HDRSC2#view=detail&id=FF0D2C9DB6D8F965D3502A925C55913C8893AD92&selectedIndex=0

Wednesday, November 13, 2013

The "even-bigger C," Changing the World

Mihaly Csikszentmihalyi sums up the mentality of many creative pioneers as "driven by a feeling of responsibility for the common good, a feeling that sometimes borders on traditional religious values but more often seems to depend on a spiritual sense for the order and beauty of natural phenomena that transcends any particular creed" (Creativity, p. 316).   

     On that note, the following video sums up Bob Marley's creativity and his values.  In it, he talks of his youth and his natural attraction to the the domain of music.  Of the connections he made in the Rasta culture.  His relationships, fame, and wealth.  Of the great sacrifice he made for his country and the assassination attempt he narrowly survived.  And the video culminates with the most moving and significant moment of his life, when he utilized his creative outlet, music, to emulate the philosophy of "One Love" by crossing cultural boundaries to inspire political progress:
  Suddenly, Marley summoned Prime Minister Michael Manley and Opposition Leader Edward Seaga to join him on stage. I was ready with my camera as the crowd was now on their feet anticipating the next move. Both leaders had to respond to Bob's request as they were put on the spot without notice. Seaga was the first to be pulled to the platform, followed quickly by Manley.
Positioned between the leaders with hands on both their shoulders, Marley literally pulled them together as they shook hands. Bob then placed his hands on the hands of both leaders and raised them in a show of Peace and One Love to the applause of the audience.





"big C" Creativity

"The Sociocultural definition of creativity requires that some socially valuable product be generated before the act or the person is called "creative."  Only solutions to extremely difficult problems, or significant works of genius, are recognized as creative.  This is sometimes called "big C" Creativity" (R. Keith Sawyer, Explaining Creativity, p. 8).

Well, I personally find Bob Marley's music to be socially valuable.  Other critics may need more proof than the groovablility of his reggae sound.  In their "The Best of the Century" article from December 31st, 1999, Time Magazine awarded Bob Marley with the biggest "big C" title one can imagine:
Best album, Exodus, by Bob Marley and The Wailers (1977) 
http://content.time.com/time/subscriber/article/0,33009,993039-2,00.html

                                                              Best album of the century.




"For an artwork, you can find its market value, or count how many times it appears in art history textbooks...  Then, when you average the ratings of all of a person's creative works, you can use that as an indirect measure of that person's creativity.  If the average market value of an artist's paintings is high, you could reasonably conclude that the artist is creative" (R. Keith Sawyer, Explaining Creativity, p. 41).

"A field is made up of experts in a given domain whose job involves passing judgment on performance in that domain.  Members of the field choose from among the novelties those that deserve to be included in the canon.  This competition also means that a creative person must convince the field that he or she has made a valuable innovation.  This is never an easy task" (Mihaly Csikszentmihalyi, Creativity, p. 42).
Eligibility

To be eligible for induction as an artist (as a performer, composer, or musician) into the Rock and Roll Hall of Fame, the artist must have released a record, in the generally accepted sense of that phrase, at least 25 years prior to the year of induction; and have demonstrated unquestionable musical excellence.
We shall consider factors such as an artist's musical influence on other artists, length and depth of career and the body of work, innovation and superiority in style and technique, but musical excellence shall be the essential qualification of induction.

LEGEND


'Legend,' Bob Marley's best-of album, lands 
on a milestone
Updated 7/30/2009 1:33 PM | Comment  | RecommendE-mail | Print |
Bob Marley's Legend has sold more than 10 million copies since 1991, according to Nielsen SoundScan. 
Bob Marley's Legend has sold more than 10 million copies since 1991, according to Nielsen SoundScan.
But the reggae icon's posthumous collection has lived up to its
name bybecoming only the 17th album to exceed sales of 10
million copies sinceNielsen SoundScan began tabulating in
1991. It's quite a feat for an artist who never had a top 40 single
and didn't win a Grammy in his lifetime.
"It's a quiet blockbuster that has been fan-generated as opposed
to pushed by hype or a big campaign," says Paul Grein, who writes
the Chart Watch blog for Yahoo.com. "The most remarkable aspect
is that it has sold more albums in the SoundScan era than any
other album from the '60s, '70s or '80s, more than any other Beatles
album except (the hits collection 1). Lots of people would think of
Fleetwood Mac's RumoursBilly Joel's The Stranger or Michael 
Jackson'sThriller before Legend."
Selling 250,000 copies most years (and 211,000 so far this year),
Legend has topped the catalog chart 110 times, twice as often as
any other title. Its tally of 10,033,000 does not include a 2002 deluxe
reissue or pre-SoundScan sales.
Packed with such classics asRedemption SongStir It UpOne Love,
I Shot the Sheriff and No Woman, No Cry,Legend shows no signs of
fading."It's gathering steam," Grein says. "A lot of the other 10-million-sellers have run 
out of gas and haven't been adding to their totals. This is the first to hit 10 million 
since Norah JonesCome Away With Me in February 2007. I imagine Legend will 
eventually be No. 1 on this list, especially since new million-sellers aren't coming along."
Ten years ago, Legend ranked No. 52 on Nielsen SoundScan's list of top sellers. Today it's No. 17.
The hugely influential Marley "is widely recognized as one of the pioneering forefathers of reggae, who was instrumental
in bringing mainstream attention to the genre," says Gail Mitchell, Billboard's R&B and hip-hop senior correspondent.
"Thanks to his children carrying the torch, Marley has become a staple for succeeding generation of fans."
Grein suspects that half of Legend's buyers own no other reggae albums.
"It's the reggae equivalent of Miles DavisKind of Blue, which is the only jazz album a lot of people have," he says. "The
joke about Legend is that it sold so many copies because stoners can't remember that they already bought it."

Making His Way

"...what allows certain individuals to make memorable contributions to the culture is a personal resolution to shape their lives to suit their own goals instead of letting external forces rule their destiny.  Indeed, it could be said that the most obvious achievement of these people is that they created their own lives.  And how they achieved this is something worth knowing, because it can be applied to all our lives, whether or not we are going to make a creative contribution" (Mihaly Csikszentmihalyi, Creativity, pgs. 151-152).

Five Cool Facts in "Marley" (from a review by Chris Nashawaty Entertainment Weekly. 8/3/2012, Issue 1218, p63):

1. As a kid he was teased for being a "half-breed." His mother was an 18-year-old Jamaican and his father was a 50-year-old white British officer.
2. To cure his stage fright, he would perform in front of graves at a cemetery.
3. Although Marley's band, the Wailers, didn't hit it big until the '70s, their first single was released back in 1964.
4. When he first came to America, he drove a forklift at a Chrysler factory and vacuumed floors at a Delaware hotel.
5. Marley had 11 children with seven different women and, according to some eyebrow-raising reports, smoked a pound of marijuana a day.

    Robert Nesta Marley was the child of Cedella Marley-Booker and Norval Marley.  He was born on             February 6, 1945.

"My father is a white and my mother black.  Now them call me half-caste or whatever.  Well, me don't deh pon nobody's side.  Me don't deh pon the black man's side nor the white man's side.  Me deh pon God's side.  The man who create me.  Who cause me to come from black and white." -Bob Marley from the documentary film "Marley."

Read more about "The Influence of Bob Marley's Absent, White Father":  http://debate.uvm.edu/dreadlibrary/gurtman02.htm


Bob Marley's mother was a central figure in his life.  She supported him in his faith and in his musical career.    Cedella outlived him by almost thirty years and wrote two biographies about her prolific son.  A video in which she eulogizes Robert Nesta Marley can be viewed here:  http://www.bobmarley.com/biography_cedella_marley_booker.php



"We propose that an essential feature of learning is that it creates the zone of proximal development; that is, learning awakens a variety of internal developmental processes that are able to operate only when the child is interacting with people in his environment and in cooperation with his peers" (Vygotsky quoted in Connery, et al, Vygotsky and Creativity, p. 9).

     In the film "Marley," Bob Marley's childhood friend and member of his band The Wailers, Neville "Bunny" Livingston talks of how Bob was "rejected," due to his mixed-race heritage.  Marley had to do his uncles' jobs of moving horses and feeding pigs, and he had to "earn his every meal."  Another friend, Desi Smith tells of how the boys often went to bed hungry, really hungry (they had a saying: "go drink some water" to alleviate their empty stomachs).  Smith muses that a life like that either made you bad or good-- "you were forced to be creative..."
     "Bunny" Livingston takes credit for welcoming Bob Marley to the world of music.  The great Rastafarian leader Mortimer Planno took Bob in as a teenager and continued his musical development.  Producer Lee "Scratch" Perry and others were also key players in Marley's musical evolution.
  

Finding the Flow

                                         A scene from the documentary "Marley" by Kevin MacDonald.

"Creative individuals have a great deal of physical energy, but they are also often quiet and at rest" (Csikszentmihalyi, Creativity, p. 58).


"And creative people usually enjoy not only their work but also the many other activities in their lives" (Csikszentmihalyi, Creativity, p. 76).

Like all creative individuals, Bob Marley worked hard at his trade.  He sometimes worked around the clock perfecting and recording his music.  He balanced that taxing lifestyle with two "outlets," playing football (soccer) and smoking ganja (marijuana).  He took both of these leisurely pursuits seriously.



                                                      A scene from the documentary "Marley" by Kevin MacDonald.


Anyone for a... game of football?

Changing the Domain

Mihaly Csikszentmihalyi defines domain as a set of symbolic rules and procedures.  An example of a domain is mathematics, which is divisible into several finer distinctions such as algebra and number theory.  With regard to domain, "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one.  And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain" (Creativity, pgs. 27-28).

Bob Marley's artistic domain was music.  In this video, Marley describes the manner in which he and his contemporaries created the musical distinction known as reggae, transforming the domain of music by introducing a new and distinctive sound:


In addition to playing a key role in the creation of a new sub-domain of music, Marley was "The reggae artist with the greatest impact in history, who introduced Jamaican music to the world, and changed the face of global pop music."   http://www.allmusic.com/artist/bob-marley-mn0000071514/biography

How many Marley songs do you know by heart?